Synapse Audio Dune 3 - "Retro Future" Soundset (50 presets)

video upload by LFOstore

"𝑨 𝑭𝒖𝒕𝒖𝒓𝒆, 𝒕𝒉𝒂𝒕 𝒏𝒆𝒗𝒆𝒓 𝒘𝒂𝒔, 𝒂𝒏𝒅 𝑷𝒂𝒔𝒕, 𝒕𝒉𝒂𝒕 𝒘𝒊𝒍𝒍 𝒏𝒆𝒗𝒆𝒓 𝒃𝒆...
The future rests on the past, and the popularization of the sounds of the 80s and 90s today is a natural phenomenon. But what if you preserve the taste and style of those good times, but add a modern look, quality and wide modulation capabilities? The result will be a fresh sound, which is presented in the new soundset for DUNE3!

In this soundset, LFO Store’s leading sound designer, Otto K. Schwarz, has prepared some beautiful analog bass sequences, stylized drum sections, a wide variety of bright lead instruments and plucks, warm pads and other interesting sound solutions! All the presets come with advanced modulation techniques - with modulation wheel, velocity and expression assigned, which allows you to modulate and customize the sounds deeply, to the needs of your own musical works.

These sounds are suitable for both studio work and live performances, and may be used in the different styles of music - ambient, cinematic, electronic dance music and so on. Prepare yourself for the new discoveries and insights!"

https://lfo.store/

Moog Polymoog SN 1977

Note: Auction links are affiliate links for which the site may be compensated.

via this listing

"Recently and fully serviced by Jay at Synths When in Toronto, Canada. Jay is an expert in all things vintage synths and got this Moog running perfectly. Sounds amazing and is 100% ready to go. Comes with the Moog pedals included. ships from Toronto, Canada as we are selling this for a good client of ours.

This Moog will be professionally packed and shipped in order to ensure its safe arrival. We have decades experience shipping all over the world and we take packing seriously so rest assured. Full tech report available upon request . Let us know if you have any questions."

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Toyo Gakki Ult Sound Analog Drum Synth DS-4 1970s w/ Billy Cobham & TAMA Sticker

Note: Auction links are affiliate links for which the site may be compensated.

via this listing

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What is sampler? | introduction of SnapBeat, the simple lo-fi sampler

video upload by SnapBeat official

"Hi, this video explains about what is a sampler for electric music newbie like me. You can think of SnapBeat as merely eight voice recorders by which you can record any sounds and playback the sounds with the eight pads. SnapBeat is a device called sampler in electric music field. And SnapBeat can be any music instruments such as a piano or drums by sampling these instruments sounds.

For newbies who are interested in DIY music production, I think sampler is good choice because you don't have to many expensive instruments other than it. Now you can find tons of sounds on Youtube or Spotify. So, You can sample any sounds from these various music sources.

You can buy SnapBeat on Tindie.
https://www.tindie.com/products/hiro_..."

Roland G-505 Guitar Synthesizer Controller, GR-300 Polyphonic Guitar Synth

Note: Auction links are affiliate links for which the site may be compensated.


via this listing

"Up for sale, a 1980s Roland G-505 Guitar Synthesizer Controller and GR-300 Polyphonic Guitar Synthesizer [SN 090427] in 100% original condition and in perfect working order, complete with the original 24-pin cable. First introduced in 1980 as a follow-up to the GR-500, the GR-300 is perhaps best known for its usage by Pat Metheny; produced at the venerable Fujigen factory in Japan, this versatile guitar synth can deliver a huge range of decidedly unique sounds, with a hexaphonic fuzz circuit, VCO synth, and combinations of the two. This GR-300 comes complete with the G-505 Guitar Controller, taking its design cues from a Strat with a sleek ash body, one-piece maple neck, and a trio of single coil pickups alongside the synth pickup.

The G-505 Guitar Controller guitar has plenty of natural sparkle and shimmer, and the Roland PU-134S pickups deliver a bevy of Strat-style tonalities via the five-way selector switch. Weighing 8lbs 12oz, the G-505 has been professionally setup here at Mike & Mike’s Guitar Bar with 10-46 strings, low action, and spot-on intonation.

The maple neck has a slender C-shaped profile carve with good shoulders, gaining appreciably more heft and roundness in the upper registers, measuring .810” deep at the 1st fret and 1.015” at the 12th. The fretboard exhibits light finger wear through the gloss, and the slender fretwire ostensibly benefits from a level and crown in this guitar’s lifetime, showing virtually no wear. This Roland plays cleanly up the 25 1/2“ scale with a straight neck and a responsive, optimally-adjusted truss rod, and the nut measures 1.650” (42mm) in width. The headstock features a bullet truss rod nut and gold “GR” logo, and the Gotoh tuning machines function reliably. The back of the headstock retains the silver foil serialized sticker.

The electronics on the guitar controller are untouched, with a control scheme including Master Volume, Guitar Tone, Guitar/EG Balance (Blend), VCF Cutoff Frequency, VCR Resonance, and LFO (Vibrato) Depth knobs. Additionally, the three-position Mode toggle enables on-the-fly switches between Hexaphonic Fuzz only (Mode 1), Fuzz and VCO synth tandem (Mode 2) and Synth only (mode 3). The controls are capped by the original sextet of knobs with ridged grips for easy adjustments, and the three-ply white pickguard rounds out the plastics.

Cosmetic wear on the gloss Metallic Blue finish includes a number of nicks and dings on the body as a whole, most prominent along the lower bout perimeter, with some finish chipping adjacent to the output jacks, and some very subtle texturing in the finish on the top. The neck profile retains its smooth gloss, with a handful of shallow marks that have no impact on playability.

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New X1L3 - DRAIL - hacked fx processor - eurorack module

video upload by X1L3

"Hardware hacked fx processor module.
What it is and where to get it - below.......

Available at: https://x1l3.bigcartel.com/product/dr...

A few sections of this vid contain strobing and flashing images. If susceptible to seizures then viewer discretion is advised.

Amiga/P3 W95 demoscene spec run down and demo. Created due to a request to demo the module in a way that wasn't 'just noise'. Initially intended to be one part made from the best track out of three that i came up with. Later deciding to shoe horn the two reject demo tunes into it, which lead to it becoming a ramshackle lesson in polygons and 3d. It also caused the whole thing to end up panning out like some kind of messed up fever dream 💀🤣

Drail is an fx processor module based on a fixed chip set containing 100 preset effects. Reverbs, delays, pitch shifters and modulators of various types, such as flangers and phasers. More details are over on the bigcartel link. Hacked referring to the hardware hacking principles applied in reclocking the cpu and messing with the phase in the signal path to turn it into the somewhat weird thing it is now. Hacked also sounds better than circuit bent, which has been done to death as a term and wouldn't fit on the front panel anyway 💀🐗

A bit of a departure from my usual powerelectronix/sound design outings when it comes to modules. Right now this is the only demo i have complete. I'll upload some stuff soon that's more in line with the roots of where i came from, and which features some other new stuff that got completed in the somewhat hell froze over time it took me to complete this outing 🔥🔥

As always - enjoy - or don't.
The sun rises in the morning either way 😘☀️👌

Cheers for checking it out."



"The module is based on a fixed stereo fx processor chip which contains 100 presets. These presets consist of numerous reverbs, delays, harmonizer/pitch shifters and modulators such as flangers and phasers.

It has a mono input, a summed L/R mix output with dry wet control which covers 0-100% wet,
Two 100% wet stereo outputs give access to the ping pong delays and different phases of panning in the stereo field that some of the effects use,
The combination of summed dry wet and separate stereo fx ouputs offers some variation in how you might hook the module up to achieve different results in a setup.

Patches can be selected manually, or by gate inputs with an input to cycle each way through the patches and an input to select them.

In stock form it's a fairly vanilla and quite unremarkable, all be it useful set of fx. By applying some of the tricks learned in my time in the circuit bending arena the whole thing becomes a Swiss army knife of weirdness and opens up to some bizarre effects and unruly behavior. With the principles of hardware hacking applied and the cpu reclocked, along with some creative phase altering in the signal path, the processor takes on an entirely new life. Still being able to run as a useful set of stock reverbs, delays or modulators, but doubling up as an interesting sound design tool. All sorts of mad sounds and unexpectedly good processing can be achieved. Great for soundscapes, turning basic sounds into things that are bigger than the sum of their parts, making guitars sounds insane, it can even be used to turn a saw into a pseudo supersaw that somehow looks like a kind of mutated pwm square by using the modulator fx. This kind of thing gets fat when you start using both the dry wet mix output and the 100% wet L/R outs. With 100 fx to choose from, there's generally something interesting and at times fascinating to be found when messing around with it.

From experience, different fx chip sets behave in radically different ways when attempts to circuit bend or reclock them are made. Some prove to be pointless and uninteresting, others become prone to crashes and are rendered too unpredictable.and useless beyond extreme noise This one happens to be an excellent target for a bit of creative alteration. When underclocking the cpu, a kind of subtle low pass filtering effect is applied. Not enough to make the effect undesirable, but enough to eliminate the unwanted noise inherent to underclocking. In testing this chip set and discovering it's predictable, but quite abstract nature when abused, it became obvious that it would make a brilliant target for an interesting module. One which i'm finding to be an excellent addition to my own rigs. Given the roots of how it came about and how that ended up sounding, it is i imagine an acquired taste, but a quite unique acquired taste in the scheme of things."

Tomorrow comes too soon | IDM music

video upload by MIDERA

"I've been really pining after my old Nord Drum 2. I can't believe how much the prices have gone up over the last few years. I bought mine for $650 and it had all this extra stuff. Sold it for the same in 2019... now, they go for over $1000. I really just want to get it back, sigh. I don't know whether I will or not because that's just a lot of money. Been trying to see if my Tempest or Machinedrum can pull off the same sounds, but there was something weirdly organic in that Nord Drum 2 that I can't quite seem to get out of these. The Monomachine was actually much closer, but it can't exactly pull off that sound either.

I dunno. I know I don't need this stuff, and my studio already feels overwhelmed with gear. Well... who knows. It's a simple problem, which I'm glad of, after everything last year. I'll take it as a good problem to have and be thankful about it.

Gear used:
Radikal Technologies Spectralis 2
Sequential Prophet 10
Dave Smith Instruments Tempest
Eventide Blackhole VST for reverb"

DAWLess Mini Synth JAM | J-6 & JX-08 | Volca Beats | Midicake ARP

video upload by midicake

"A friend lent me some little Roland synthesizers to try out with Midicake ARP. They are both packed with good sounds and very playable. For that Mid-80s vibe, they really shine.

I'm not that taken with the J-6 sequencer but, given its size, it still packs a lot in. Once you disable the in-built sequencers, however, driving them with ARP makes for a brilliantly compact tabletop setup!

And, of course, ARP opens up possibilities that just can't be achieved any other way. Who needs Astrolab!? ;)"

The Venerable Moog Memorymoog - Inspiration for the Moog Muse?

video upload by Vintage Synthesizer Solutions

"Please join us while we explore the infamous, but actually quite venerable Moog Memorymoog synthesizer. As is widely recognized, the Memorymoog was developed too late and was rushed to the market. By 1982/83, the era of extremely expensive flagship analog polysynths being ubiquitously adopted by professional musicians and studios was coming to an end. Synths like the Sequential Prophet 5, Oberheim OB-X/Xa, & Roland Jupiter 8 had dominated the market, but new digital technology - both in synthesis and sampling, was quickly gaining a substantial foothold in the music industry. The Memorymoog was notorious for reliability issues right out of the box while innovative instruments like the Yamaha DX7 were cheaper, much more reliable, and had a unique new sound.

In hindsight and considering the analog renaissance we've expereinced of late, one can evaluate the Memorymoog from a different and more forgiving perspective... It sounds absolutely fantastic and offeres an incredibly unique & fat tone relative to competetive products of both its era and modern times. Additionally, once a competent technician has sorted common issues with the power supply/fan, connectors, etc. the instrument can be quite reliable from a functionality and tuning standpoint.

The audio is DIRECT, with a just a touch of OTO Bam reverb added on an aux bus - You are hearing the raw audio as it comes directly from the synthesizer. There is NO EQ, Dynamics, etc. Listen on good headphones or monitors!

Thank you so much for watching! This channel is a passion project. These videos are recorded off the cuff. We are just two hobbyists who share a deep passion for synthesizers."

Kawai SX240

Note: Auction links are affiliate links for which the site may be compensated.

via this listing

"The Kawai SX-240 is one of the most underrated analog polysynths of all time. It's secret weapon is the SSM 2044 filter, also used in the Korg PolySix. That said it has a brighter sound than PolySix, particularly on the stunning brass patches. The SX-240 is capable of a diverse range of sounds. It also features an onboard sequencer! This one is fresh from a round of service from our tech and is ready for stage or studio. Some minor cosmetics issues on the wooden panels and some sticker residue but otherwise in very good condition."

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SN G43928

Note: Auction links are affiliate links for which the site may be compensated.

via this listing

"This unit is the US Version and is in very good condition and full working order. It sounds great! There are minor scratches on the sides and bottom, as shown in the photos, but the main faceplate of the synth is in great condition with only small blemishes. The left wood end-plate has some discoloration, as also shown in the photos.

Due to the slow refresh rate of the alpha-numeric displays on this synth, some of the later photos in this listing did not capture all of the text, as my camera's shutter speed caught the screens mid-refresh. However, this is just an artifact of the camera image, and the earlier photos in the listing show that all of the displays are working properly despite their age."

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Casio MT-100 - classic Casiotone with graphic equalizer

video upload by Alfonse

"The Casiotone MT-100 (1985) uses the classic early 80s vowel-consonant synthesis used in the MT-400V, but instead of a low-pass filter, it adds a 5-band graphic equalizer.

I used the graphic EQ on most of the sounds, including the drums. It’s good for getting some extra brightness and clarity in sounds that have a lot of mid-range frequencies by default. The EQ bands start with 350Hz, so unfortunately there’s no potential for manipulating bass frequencies.

Music: 'Armrest Afternoons' (C) Copyright 2024 Alfonse
Download the track here: https://alfonse.bandcamp.com/track/ar...

Store: http://alfonse.bandcamp.com
Website: https://www.alfonsemusic.com
Twitter: http://twitter.com/alfonsemusic
Instagram: http://www.instagram.com/alfonsemusic
Soundcloud: http://www.soundcloud.com/alfonsemusic"

Groc Granular Engine: Speed and Size Controls

video upload by oddment audio

"From Gabor's early thinking and experiments, one of the core ideas of granular synthesis is independent manipulation of time and pitch. Commercial time stretch, auto-tune, pitch shift and harmonizing algorithms are all closely related to granular synthesis. So all good granular synths should have a "speed" control that can slow down or reverse a sound without pitch shift, and should enable pitch shifts (e.g. playing different keyboard notes) while preserving playback timing.

The idea of a granular synth, as opposed to a time stretching algorithm, is to provide additional controls to impact how grains are selected, their length and many other attributes.

In this example we show Groc's playback "speed" and grain "size" controls. We demonstrate independent control of the playback direction and speed from the "direction" and size of the individual grains. This creates all kinds of interesting possibilities and reveals some surprising attributes about speech perception. Near the end of the example we can still perceive the macro structure of the sound (the words) in spite of the micro-sounds being time reversed."

rare birds: Echolette SE-251 tape echo unit

Note: Auction links are affiliate links for which the site may be compensated.
video upload by ohm_studi_ohm

"This is quite a rare tape echo manufactured by Dynacord. It seems to be one of the very last tape echo introduced by the brand (with the Echolette Echo 400).

It shares many parts with the Echocord line of delays like motor, pinch roller, heads, oscillator board etc But this one useS op amps instead of only transistors for amp stages (the Echocord Super 76 also already used one op amp for the output stage).

The unit has 2 heads which you can mix with the dedicated pot. Otherwise classic features like input volume, tone, echo send level, echo feedback and echo level.

In the back the original DIN socket enabled output and aux input. In this case you only get the wet signal out of the delay, which is nice in a studio environment.

Unit was fully serviced and modded. [mods below]

I demoed it with 3 different instruments so you get a good idea of how it sounds with different sources. First is a Roland MC-202, analog mono synth, then an analog drum machine (Roland CR-78) and last an electric guitar (Squier Jagmaster, not in frame). Please note the SE-251 has no hi input impedance so I run the guitar through a DI Box first.

00:00 ROLAND MC202
03:18 ROLAND CR78
06:16 SQUIER JAGMASTER"

via this listing

"Unit was fully serviced and modded:

- all electrolityc caps were replaced (except 3 bipolar ones )

- original 4x op amps were upgraded to better one (TL081)

- original DIN socket was replaced by 2 jack sockets, one for the output and one for the aux input. Also a pot was added to attenuate the level for the aux input

- unit was meticulously cleaned

- heads were cleaned, demagnetized and aligned

- unit was calibrated

- tape is new"

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Tips & Tricks: Class Compliant USB Audio Interface with Elektron Drum Machines and Synths

video upload by Group Technologies Australasia

"Did you know that almost all Elektron devices* are USB class compliant? That means you can easily send audio out from your Elektron drum machine or synth directly to your Apple iOS or OS device and record proper line-level audio. This is great for quickly capturing that beat you've been working on and sharing it with friends or for posting on social media like a pro. In this video we look at how easy it is to plug and record audio to your Apple device with no additional drivers, app or software required! It's also possible to send any incoming audio from external sources routed through to your Elektron box, out to USB as well. In this video we jam the Elektron Syntakt together with a vintage Roland TR-606. The TR-606 audio is running into the external input of the Syntakt and all the sounds from both devices are being routed directly via USB audio into an iPhone.

Elektron firmware provides options for choosing what audio source output you want to route to your iOS device. The default setting will send the main stereo outs, whereby the mix of all your tracks inside your Elektron box is sent out via USB. Alternatively, there are options to choose a specific track out via USB; perhaps you just want to send your sick bass line without the kick drum — yes you can! The Analog Heat+FX also has the option to process incoming audio from USB, offering a two-way audio solution that has many creative applications. Your iPhone or iPad microphone might be good at recording your voice, but they're not great at capturing and representing your latest beat creation.

*except the Octatrack"

Note this video is by supporting member David Haberfeld aka Honeysmack.

BugBrand Introduces FilterQAmp - Filter, Amp and Decay Envelope Module in Frac Format

"

View this post on Instagram

A post shared by Tom Bugs (@bugbrand_bristol)

via BugBrand

"The FilterQAmp (FQA) combines a 2-pole State Variable VC Filter with a Linear VC Amplifier and an inbuilt variable-decay Envelope Generator. It is capable both of processing and, when the filter is self-oscillating, generation of synthesised sounds such as drums.

The VCF section contains a State Variable Filter (similar to my other designs) – this offers switchable Low or High Pass responses and covers the full audio range. It is temperature compensated & tracks 1V/Oct accurately. The Resonance/Q is voltage controlled with a linear response up to self-oscillation – this creates a pure sinewave, useful for synthesis.

The VCA is linear in response and takes the Low/Hi-pass output from the VCF section. It can either be set, via rear jumper, to a clean response (gain from 0 to +1) or saturation (gain from 0 to +1 then +/-5V zener clipping beyond – unity at approx 10 o’clock rotation).

The Filter, Q and Amp sections each have a CV Modulation depth control with switchable polarity (centre off) – the Filter has an additional 1V/Oct control input. In addition there is a simple variable-decay Envelope Generator which can be fired either with the manual Trig button or via the Trig input – this has a comparator so triggers on any signal over c.+1V. Decay time is variable between approx 15mS and 3Secs with an amplitude of 0 to +10V. The envelope is internally routed to modulate the Filter and Amp sections via individual depth controls – it could be manually patched to QCV with a 0.75″ shorting bar or cable.

When Q is set to full, the self-oscillating filter makes good sound generator – it can also ring when set below self-oscillation & fed with sharp edges such as gate signals. A basic drum synth can be achieved with self-oscillation and the decay envelope opening the VCA – try varying how much the envelope modulates the filter cutoff too. You can feed the main output back to the FCV input to self-modulate, resulting in an interesting peaky waveform."

2/28/24 (be flat, 8 step) Yamaha CS-30 + CXM 1978

Note: Auction links are affiliate links for which the site may be compensated.
video upload by Cfpp0

"Another one from the end of February 2024. One oscillator is set to SEQ and the other to KBD, so you hear a droning note under an 8-step sequence from the onboard sequencer. At 1:48 I start playing some notes and you can hear the portamento. Mostly this video demonstrates the filters."

via this listing

"Insane. The Yamaha CS-30 is an animal. The filter, the oscillators, all those envelopes, all that modulation—it sounds amazing, wild. And it’s an ecosystem. Self contained, with its own sequencer, LFO, headphone output, keyboard; flip a switch to transpose your 8-step sequence, flip another to drone, drone, drone, flip a switch to change envelopes. But it also has external audio in to the filter, external control voltages in and out, sequencer pitch and gate out, and so on. So on! So on!

Solo leads, cellos, vocal formant and vowel, alien bells, whatever, it’s versatile.

It tracks Hz/v for all you Korg MS-10, 20, 50 folks, all you thyratron-loving Zerosum Inertia folks, Metasonix folks.

Very nice ergonomics. Good angle to the controls. Large knobs and faders.

This one has been around here for a few years, but had a problem with the keyboard glitching. It was just serviced and is now working great, plus it has been changed to operate on North American power."

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Spectralis 2 Tutorial: Sending drums to analog filters tips and tricks

video upload by MIDERA

"I've been spending a lot of time with the Ensoniq Mirage and sampling drums (which come out sounding so good) and wondered whether I could beef up the drums within the spectralis itself. I realized that I could send the drums to the analog filters and then do all sorts of things with it.

Note that this doesn't have any melodic stuff in it and it's using a simple drum beat, but I figure that will help you understand what it is that's happening with the sounds. Hope it's of use to any Spectralis user or potential Spectralis users.

This WILL work for both Spectralis 1 and 2 units equally. There will be no difference in sound (unless you haven't yet performed the filter fix on your Spectralis 2, then it will sounds much darker on your unit).

LFMX: 24db LP Filter exponential FM
LFML: 24db LP Filter linear FM
MMFM: 12db MM Filter Exponential FM

0:00 Introduction
1:00 Stock drum sound
3:42 Drums through the 24db filter
4:38 Digital to Analog feed (Drums)
5:58 DRUMS
7:29 Drums through 12db then 24db filter
10:25 Left and Right panning of filters
12:29 MM to LP to Fixed Filterbank
14:10 Sequencing the filterbank
16:15 Adding delay FX
18:37 Using oscillators to FM the drums
22:30 Sequencing oscillators to add melodic FM
27:00 Sending hybrid monosynth (L) AND drums (R) thru different filters
31:29 Concluding remarks"

MON2: Soundscape Machine by Monkhum

video uploads by Monkhum.CC

spotted this one via:

New Soon  something interesting from Asia 🙌

video upload by errorinstruments paul tas



Google translated from Thai via monkhum.cc

MON2 : Soundscape Machine 16-bit synthesizers 6 Oscillator is a combination of functions such as GrooveBox Omichord Drone Noisebox designed to be able to mix a variety of sounds, divided into 3 groups, 2 oscillators per group A(1) B(2) C( 3) And each group can adjust parameters independently. It creates new sound mixing and it's quite functional. There are 30 waveforms, random step, CV in, LFO, Tremolo, LPF, ECHO, Sub Oscillator and many more. Suitable for people who want to understand sound synthesis. Players will gradually Learn to customize the characteristics of each sound group through a unique, easy-to-understand and playable vertical screen. It's like we have 3 synthesizers in one box, with 2 main modes: Voice mode and Chord mode. MON2 : Soundscape Machine will definitely give you new ideas.

The design approach remains unique to the brand. Stainless steel plates and buttons made from quality grade silicone plates. Gives a good feeling of use The keys are designed in size and distance to be similar to the keys on a MIDI keyboard used for making music, so finger placement is comfortable. Vertical screens are something that designers really want to present. It is both unique to create an instrument that has This new type of workflow The screen divides the parameters to display 3 parameters at all times. Corresponds to the number of 3 left knobs when the user wants to adjust any parameter in the screen and the 3 parameters in this vertical screen. Also related to the 4 touch sensors placed under the screen. There is a system to lock parameters to prevent discrepancies. Because we use the same knobs for all 12 menus.

6 Oscillators - 30 Waveforms
Support 6 Oscillators and more than 30 different audio waveforms. for variety in sound creation

Random Step and CV In
Independent control with Random Step and CV In helps you create unique sounds.

Voice Mode and Chord Mode
You can switch between Voice Mode to create independent sounds or Chord Mode to create chords that sound like playing a keyboard.

LOOP sound freely
MON2 comes with the ability to record playback on 3 separate channels, allowing for lots of creative playback.

Dynacord Echocord Mini / Roland MC202 / Farfisa Rhythm Unit

Note: Auction links are affiliate links for which the site may be compensated.
video upload by ohm_studi_ohm

"Quick demo of a Dynacord Echocord Mini vintage tape delay recently serviced and for sale
(http://www.ebay.com/itm/305463654546 ).
I used a Roland MC-202 to demo it, as well as a custom built Farfisa rhythm unit that is also for sale (http://www.ebay.com/itm/305464352202 )"

via this listing

"One-of-a-kind drum machine.
It"s a rhythm unit ripped from a 70s Farfisa spinet organ and built in a custom case (trying to remain faithful to the original look).
Classic analog drum sounds like the ones you get out of the many boxes of that area (Roland TR77, Ace Tone FR-1 FR-2 FR-8, Hammond Auto Vari etc etc)
It is very close in to the Farfisa Rhythm 10 unit that Kraftwerk used at its beginning.

10 rhythms that can be combined to get some more, controls for tempo and volume. Mono jack output, on/off switch and running on 12v-18v DC (power supply is provided).
Case is DIY so don't expect manufacture quality. YSWYG."

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